= My Warrior
Reviewer: The Rebecca Review.com
Asoka inspires mixed emotions. On the one hand, there are
elements of pure beauty and love and then you have a contrast in
the horrors of war. The cinematography is rich and
awe-inspiring. I was literally mesmerized.
This is not a romance in the sense of peace and love, this is
a tragic tale of two hearts looking for one another amidst a
world of betrayal and deceit. Not to mention a lust for power.
The plot is complex and there are elements of revenge, cruelty
and battles on a large scale.
The intensity in the contrast is at times overwhelming. The
action never seems to subside into a moment of peace. Either
passion dances across the screen or horror and suspense surround
the characters. The musical numbers give some relief from the
intensity, yet they are also equally vibrant.
This legendary story is recorded in a second century book
called the "Asokavadana.” The movie is based loosely on
the story and at the end there is the implication of the
renunciation of war.
“Love wounds in a way that does not let you live or die.”
It is emotional from the start and is dark in its lust for
power and beautiful in its exotic swirling dance sequences. An
almost mythological atmosphere pervades the film in places.
The story begins when Asoka’s grandfather tosses his sword
into a waterfall because the sword hungers for blood. As his
grandfather leaves, Asoka searches for the sword and finds it.
When he is older his life is in danger. His mother, Dharma (Subhashini
Ali), asks him to save his life by fleeing. After changing his
name to Pawan, he meets Kaurwaki who is following a similar fate
and is hiding out in the lush green countryside with her much
younger brother Prince Arya.
Prince Asoka/Pawan (Shah Rukh Khan) and the feisty and
sensuous Princess Kaurwaki (Kareena Kapoor) imagine they have
met before and Asoka calls her "my warrior." So
The story then dives into a crystal pool of the most primal
instincts. A man fighting for a woman, a warrior woman fighting
for her land. Splashes of color spread out against a pastel blue
sky. Swords become a part of the characters as they fight for
their lives. There is a reward for finding Kaurwaki as she is
the daughter of the king of Kalinga.
When Asoka tells Kaurwaki:
“I couldn’t put a price on you. The earth doesn’t have
enough gold for that.”
We know he is going to pay some terrible price for his love.
They marry and just as soon as you think this story is going to
move in a good direction, Asoka’s mother calls him back and he
is then sent off on a mission.
“What is this surge of love?
Do I drown to experience it?
Can you tell what it is?
Where could it lead?”
On his return, he is told that his true love is dead. Once
convinced, his aggressive nature emerges. He has no reason to
live and desires only death. This loss of love seems to make him
lust for power as he has lost the influence of Kaurwaki’s
love. He then ascends the throne of Magadha in the 3rd century
BC. When he decides to extend the borders of his empire, he
wages a bloody war on Kalinga, a neighboring kingdom.
This review refers to a Widescreen edition. My only complaint
was the extent of the violence in places and the subtitles were
white and difficult to read at times. If you loved Lagaan, this
movie is much more tragic.
The story of Asoka’s journey from war to peace. A
mingling of intense sensuality with the bitterness of war.
One who lives life with passion is like a
brightly burning fire.
A small, dim fire can easily be
extinguished by gusts of wind, but
a large, bright one will grow
bigger as the wind grows stronger. In
the same way, the
more obstacles a passionate person encounters,
the brighter and stronger that person grows. ~ Taro Gold