Compulsively Comic July 30, 2002
This is a French romantic comedy set in Paris and almost told as
a fairy tale. Is this a postmodern version of Cinderella? Close,
perhaps, but the slipper seems to be a picture. Yes, you get to
actually see places in Paris you might have visited. I was
especially delighted for that reason.
I don't remember the last time I laughed so much while
watching a movie. In fact, maybe it was when watching "What
About Bob." Which proves psychological hilarity does appeal
to my sense of humor to the extreme.
First you have two obsessive compulsive parents who never
fully develop into characters you can admire or dislike. They
simply exist in this movie as some sort of semblance of balance
for the dysfunctional life Amelie (Audrey Tautou ) has woven her
fragile existence between until her parents are torn apart by
death. For the first part of her life, she is not shown normal
affection and finally retreats into her own imagination.
Deprived of love and basic childhood pleasures, like friends,
Amelie lacks social skills in various areas, while she seems to
survive working as a waitress in an eccentric café.
One day her life changes. She is watching the news and is so
shocked by the revelation she drops something that rolls to a
bathroom tile, that reveals a hidden treasure. She vows to
return the treasure to the original owner.
There is something beautiful about Amelie's character. She
embodies an innocence long forgotten and therefore her
vindictive side in regards to the corner grocer will have you
rolling on the floor. The man (Mathieu Kassovitz) she falls for
is of course even more eccentric than she is and well, he works
in a place that might not delight you and there are a few
seconds here and there of adult naughtiness. They could have
left out the dancer and the shop where he works because
technically those items are not really woven well into the
story. A more hilarious view is taken of sex in this movie and
there are no serious love scenes to be sure. His character is
not fully developed and they focus more on Amelie's life and
longings.
Amelie sees herself as an angel/avenger. Half the time she is
helping the eccentric characters find their way to happiness,
while the hilarity comes from her attempts to "teach"
other rather rude characters a good lesson. Then Amelie sends
her father's garden gnome all over the world and this inspires
him to travel. She seems to inspire others to follow their
dreams.
In the process she discovers that having heart only shows her
half the real picture in life. She needs a soul mate to complete
her. Being the completely innocent character she is, she would
of course find someone who is rather a nonconformist in a way.
He spends some of his time collecting torn up pictures from a
photo booth and is seeking to solve the mystery of his life. Who
is the man who keeps appearing to have his picture taken?
Watch for a moment of pure spectacular creativity when water
splashes all over the floor. There are artistic moments of bliss
in this movie!
Nostalgic in places and poignant scenes that will catch you
off guard as you find yourself suddenly crying and maybe
relating to Amelie in some intimate way as you realize that you
too have had dreams that didn't always come true just when you
wanted them to.
Completely modern movie making and has academic nuances here
and there to delight the poet in you. A cozy Parisian Soundtrack
is included to match.
A similar experience to watching Moulin Rouge because you
have an intense desire to watch this over and over again. I
think it is just so visually stimulating and the details can
hardly be absorbed in one viewing.
A feel good movie that leaves you with a sense that
there is still beauty and sweet innocence left somewhere in the
world.
Audrey is also brilliant in
"He Loves Me He Loves Me Not"
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