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Amelie

Amelie

 

5 of 5 stars Compulsively Comic July 30, 2002 

This is a French romantic comedy set in Paris and almost told as a fairy tale. Is this a postmodern version of Cinderella? Close, perhaps, but the slipper seems to be a picture. Yes, you get to actually see places in Paris you might have visited. I was especially delighted for that reason.

I don't remember the last time I laughed so much while watching a movie. In fact, maybe it was when watching "What About Bob." Which proves psychological hilarity does appeal to my sense of humor to the extreme.

First you have two obsessive compulsive parents who never fully develop into characters you can admire or dislike. They simply exist in this movie as some sort of semblance of balance for the dysfunctional life Amelie (Audrey Tautou ) has woven her fragile existence between until her parents are torn apart by death. For the first part of her life, she is not shown normal affection and finally retreats into her own imagination. Deprived of love and basic childhood pleasures, like friends, Amelie lacks social skills in various areas, while she seems to survive working as a waitress in an eccentric café.

One day her life changes. She is watching the news and is so shocked by the revelation she drops something that rolls to a bathroom tile, that reveals a hidden treasure. She vows to return the treasure to the original owner.

There is something beautiful about Amelie's character. She embodies an innocence long forgotten and therefore her vindictive side in regards to the corner grocer will have you rolling on the floor. The man (Mathieu Kassovitz) she falls for is of course even more eccentric than she is and well, he works in a place that might not delight you and there are a few seconds here and there of adult naughtiness. They could have left out the dancer and the shop where he works because technically those items are not really woven well into the story. A more hilarious view is taken of sex in this movie and there are no serious love scenes to be sure. His character is not fully developed and they focus more on Amelie's life and longings.

Amelie sees herself as an angel/avenger. Half the time she is helping the eccentric characters find their way to happiness, while the hilarity comes from her attempts to "teach" other rather rude characters a good lesson. Then Amelie sends her father's garden gnome all over the world and this inspires him to travel. She seems to inspire others to follow their dreams.

In the process she discovers that having heart only shows her half the real picture in life. She needs a soul mate to complete her. Being the completely innocent character she is, she would of course find someone who is rather a nonconformist in a way. He spends some of his time collecting torn up pictures from a photo booth and is seeking to solve the mystery of his life. Who is the man who keeps appearing to have his picture taken?

 

 

 

 

Watch for a moment of pure spectacular creativity when water splashes all over the floor. There are artistic moments of bliss in this movie!

Nostalgic in places and poignant scenes that will catch you off guard as you find yourself suddenly crying and maybe relating to Amelie in some intimate way as you realize that you too have had dreams that didn't always come true just when you wanted them to.

Completely modern movie making and has academic nuances here and there to delight the poet in you. A cozy Parisian Soundtrack is included to match.

A similar experience to watching Moulin Rouge because you have an intense desire to watch this over and over again. I think it is just so visually stimulating and the details can hardly be absorbed in one viewing.

A feel good movie that leaves you with a sense that
there is still beauty and sweet innocence left somewhere in the world.

 

Audrey is also brilliant in "He Loves Me He Loves Me Not"

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